가죽 의류 디자인 및 생산 패턴
가죽 의류 디자인, 자신의 가죽 영역이 다르다고 생각하고 싶습니다., 가죽마다 캐릭터마다 크게 다릅니다. 이것은 가죽 의상 디자인이 다른 직물 의류 디자인 포인트와 다릅니다.
가죽의 특성과 균일한 부위를 파악한 후, 생산 패턴에. 가죽의 마무리 공정부터 가죽 재단까지, 시간이 너무 짧기 때문에, the shortening of leather is incomplete, then according to the pattern, cut the leather parts will receive shrinkage, deformation and attack. 게다가, in the finishing of all times, must carry on the ironing operation, hot to leather and deeply, 따라서, after the cutting of leather, cold shortening will attack. In the pattern, to think the reduced rate of leather. 게다가, the choice of leather, small deformation, sleeve additional quantity generally don’t take too much. And curve of leather material, relatively brief elongation, so in the sleeve, collar and volume slightly less than fibre products as well.
Clothing shape artistic semiotic meaning – the face of life
Line moving trace of make up the surface, surface occupies a certain position in space, has the nature of the two-dimensional space, there are two kinds of surface with a plane. The resolution along the edge of the shape, such as square, round, triangle, polygon irregular geometry and free form. Square stability and stern; Circular abound change, a sense of roll balloon, plump; Triangle has severe influence of feeling and sense of unease jing; Free form is lively, casual way changes as intuitive image, clothing present in our horizon is first summarized characteristics, such as the tent of the 1950 s and ’60 s cup shape, inverted triangle in the 70 s and 70 s of the rectangular shape, 기타. 따라서, distinguishing feature in the evolution of the popular style is inductive line changes, and these changes, in the final analysis is made of the line changes, different graphic symbol message not mouth meaning is different. In the dynamic, density changes, the line is made harmonic unification, constitutes the form of beautiful clothes. Clothing suspension and movement in space will show different inductive line, when the wearer rotation, garment place will open, make many free of line. Is in this kind of dynamic and static changes, line gives the clothing boundless charm and vitality.
In clothing design, often to the geometry of the pieces as several big surface, the surface is proportional to change together, constitute a large inductive clothing, and then in the large inductive, according to the demand of the function and decoration, do a small piece of the cutting.
Clothing shape artistic semiotic meaning – change multiterminal line
Line is the point of moving track, with changes in the position, length and direction, points and lines and curves. Linear simple and rational, meantime, ordinate long rise, have serious feeling; With horizontal lines not only stretch, 부드러운, and give a person the sense with broad and boundless; Oblique mouth to show movement, light and thick cloud and disturbing jing characteristics. Elegant activity curve has the characteristic of harmonic, gently looked like changes, can attack intense sense of rhythm. The thicknesses of the line, in order to put, can attack as regards the wrong feeling.
Art in general, in appearance, the line is varied, the existence of numerous line, make clothing design features.
Art of emotion, is the way of life, all kinds of feelings and moods the correlation between the mouth of the combination itself, is reflected in the existence of life way, 따라서, the fine art always has a similar to the basic way of life “logic”. 그래서, by different lines of different shape, there is not the same symbol meaning.
In the clothing of appearance and structure design, involves lines including induction line, line structure, decoration line, pleated line and the clothing parts such as collar, 바지, waist line. Decorate clothing line including edge line, wire, fine lines to fold, Ming made line, stir
